When one or more lions merely walk along, wildebeest raise their heads, cock their ears, snort, and occasionally stamp a foreleg. These signals alert the herd. Wildebeest may stop their constant snorting when a lion approaches, creating a pool of silence that is as effective a stimulus contrast as an alarm snort, especially at night. Usually prey watch the predator until it moves on, but at times they approach it and keep it under observation. This is called curiosity or fascination. If a lion stops or turns toward them, the animals may wheel, flee a few meters, and look again, keeping the distance between themselves and the lion at about 50 m. It helps to keep sight of a predator that is mainly dangerous when it is hidden. In contrast, prey do not usually follow wild dogs and hyenas, which hunt openly.
The idea that folk music is a product of nature played an important part in the rise of musical nationalism, and it was part of the complex of ideas at the root of romantic nationalism. In the German Romantic movement, the folk song was considered an expression of the "purely human." Instead of being universal, however, that expression was thought to vary from one nation to the next. Folk song was considered a reflection of the particular mystical characteristics of a people and to go back to times immemorial. In this scheme, the division of mankind into nations was a natural fact. Every nation was said to have its own deep-rooted identity, its "national soul." Folk music was believed to be the clearest expression of the national character, a typical feature enshrined in every nation.
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